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Architecture and masculinity, two apparently unrelated discursive practices, are seen to operate reciprocally in this remarkable opening scene from The Fountainhead. But in the process of erecting an argument about gender, cultural theory draws on a view of architecture — architecture as human artifice- that the discipline itself has, throughout its long history, sought either implicitly to camouflage or emphatically to deny. Rarely are gender and architecture, allied and interdependent cultural productions, afforded the opportunity to address one another directly.